He freed the slaves in 1848. He spoke out against the king and the government. He loved his wives equally. He was colorful, he was autocratic, he was Denmark's last governor-general of the West Indies, his name was Peter von Scholten. The film about him is a magnificent story of greatness, power, and stubbornness on the one hand, and of love, loyalty, and melancholy on the other. It is a colorful gallery of characters that depicts the times, the Dane in a foreign land—and the black man in relief to the white.

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Brought up by a tyrannical and alcoholic mother Peter finds his salute only in the dreams and tales which free his imagination. One night, after a violent quarrel with his mother he takes refuge on the docks. There a small and attractive fairy who needs help will take him to the imaginary country. Thus begins the fabulous story of Peter a child from the poor area of White-Chapel who will later become Peter Pan. He will have to face the awful captain Hook in an everlasting fight for the treasure and survival of the island.

Peter: A Study for a Portrait of a Serial Killer is a feature film that delivers uncompromising performances and rare, shocking archive to reveal for the first time ever the astonishing true story of The Yorkshire Ripper. Exploring his childhood, the sadistic murders of 13 women and his ongoing psychological treatment, the audience journey into the dark and twisted mind of Britain s most notorious serial killer. Psychiatrists say he is a dangerous paranoid schizophrenic, many think he is simply evil; this film challenges the audience to make up their own mind.

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In the background, Rosa von Praunheim sings a love song in a foreign language. The sound engineer counts as the camera moves over Rosa’s black plastic jacket. Carla Aulaulu sings while a young girl (also Carla) collapses from exhaustion while climbing stairs with a shopping bag. An erotic relationship is suggested as the camera focuses on the bag swinging between the maid’s thighs. The maid struggles to make tea for the Klostermann family, who sit stiffly in evening gowns with plastic egg cups on their heads and paper in their noses. One daughter stabs the maid. The family watches the maid’s excessive dancing, amused and embarrassed. Carla collapses repeatedly, with a twitch being the last.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

Peter Gunn is an American private eye television series. Filmed in a film noir atmosphere and featuring Henry Mancini music that could tell you the action with your eyes closed, Peter Gunn worked in style. Known as Pete to his friends and simply as Gunn to his enemies, he did his job in a calm cool way.

Benjamin Britten's opera as performed by the English National Opera, with Philip Langridge in the title role.

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